Midwest 2011

Indiana, Illinois, Iowa, Kansas, Ohio, Michigan, Minnesota, Missouri, Nebraska, North Dakota, South Dakota, Wisconsin
THE 2012 REGIONAL DESIGN ANNUAL IS NOW OPEN – ENTER NOW!
Competitions Details – Final deadline: 4/2/12.


When Michael Freimuth, a designer at Sagmeister Inc., sat down to judge the Midwest, he says, “I was looking for a slap in the face. Something that in the context of a thousand design entries shocks or excites me.” A native Midwesterner—he was born in Minneapolis, grew up north of Chicago, and went to college in St. Louis—he says the region has a tradition, if not a style per se. “The Midwest has always had incredibly strong corporate work balanced with a rich, homegrown creative heritage,” he says. Those were certainly well-represented here. And in the face-slapping category, he puts the University of Chicago Press’s book designs (“It’s like they’re having a renaissance over there”) as well as Ferocious Quarterly. “Though the covers are interesting, it’s the interiors of these publications that are just beautiful—filled with gorgeous two-color comics, illustration, and captivating typography,” Freimuth says. “I should probably get
a subscription.”

I can never see another striped shirt without wishing there was a boat coasting through it. I have ruined striped shirts for myself.
—Phil Jones, Phil Jones Design
It was challenging finding a way to visually represent phenomenology. But inspired by a description of Kant’s constructivist approach, I decided to make letterforms that seemed to be appearing out of component parts.
—Isaac Tobin, The University of Chicago Press
Anything corporate and stale repels us. Also, we strongly feel that a strong logo is solved in black and white—not with airbrushed or glossy illustration techniques.
—Jovaney A. Hollingsworth, Charles S. Anderson Design co.

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